Showing posts with label Karan Johar. Show all posts
Showing posts with label Karan Johar. Show all posts

Thursday, September 16, 2010

We Are Family : Movie Review by Taran Adarsh

WE ARE FAMILY is a perfect family film with a good mix of emotions and humour. Plus, a brilliant climax, which will ensure that the film grows with a strong word of mouth. The last film which came close to being a family outing was PAA. Before that, the only quintessential family film was BAGHBAN. WE ARE FAMILY is the kind of film that should work instantly with ladies and when ladies watch such films, they bring their spouses and children along. Recommended!

Okay, WE ARE FAMILY is the official adaptation of Chris Columbus' STEPMOM [1998] and lots of us have already watched this Julia Roberts - Susan Sarandon starrer. Even otherwise, the story of a woman, diagnosed with a terminal illness, entrusting her kids to the 'other woman' before she does the final salute, gives the feeling of deja vu. But WE ARE FAMILY is not a tear-jerker. Sure, it has dollops of emotions, but also integrates the light moments wonderfully in those 12 reels.

In the good old days, in the 1960s and 1970s specifically, well-made family films struck an instant chord with viewers across the spectrum. But with the changing times, the quantum of well-made socials made a rapid decline. WE ARE FAMILY belongs to the Rajshri gharaana and tells the story of a family facing two life-changing developments: The woman of the house is diagnosed with a terminal illness and two, there's a stepmom on the scene. A difficult subject to handle, without doubt.

But debutant director Siddharth P. Malhotra surprises you constantly. Casting the best available talent for two pivotal parts and doing complete justice to their roles is tough. Very tough. But the ease with which he handles the tense moments between the women and also the emotional finale shows he has learnt his lessons well from his peers.

Final word? WE ARE FAMILY is for the family. It is well acted, deftly written, entertaining and broadly appealing drama. Watch it with someone you love!

Maya [Kajol] is the perfect mother. Her life revolves around her three children, Aleya [Aanchal Munjal], Ankush [Nominath Ginsberg] and Anjali [Diya Sonecha]. Despite being divorced from her husband Aman [Arjun Rampal], Maya has ensured that everything runs smoothly in her house, under her watch, and that they continue to remain a happy family unit.

When Aman introduces his girlfriend, Shreya [Kareena Kapoor], a career-oriented woman, the situation takes an unexpected turn. However, Maya is diagnosed with a terminal illness and circumstances bring the two women under the same roof. Can two mothers make a home?

With a plot like this, you expect WE ARE FAMILY to be an out-and-out serious outing. However, the film has its serious moments, but the director ensures that it doesn't come across as a gloomy and serious fare. In fact, the generous dose of light moments in the narrative keeps the drama fluid. There's an inherent sensitivity that the director brings in, which keeps you involved for most parts.


On the flip side, the film tends to stagnate in the middle of the second hour. One expects the story to move forward, but there's not much movement here [thankfully, the film picks up wonderfully towards the penultimate reels]. Also, the music by Shankar-Ehsaan-Loy is a complete letdown. You feel it all the more because Dharma is synonymous with excellent music. The only redeeming track in the enterprise is 'Let's Rock', which is high on energy. S-E-L need to reinvent themselves by experimenting a little more.

Monday, February 15, 2010

Shah Rukh Khan My Name Is Khan broken the record in North America


Grossing an estimated $1.86 million at the box office in its first weekend, Shah Rukh Khan starrer `My Name Is Khan` has broken the record for the largest opening weekend ever for a Hindi film in North America.

The Fox Searchlight release directed by Karan Johar averaged $15,500 from 120 theatres across the United States and Canada over Feb 12-14 weekend. The previous record was held by Shah Rukh`s musical extravaganza "Om Shanti Om" which grossed $1.76 million from 114 theatres when it was released over the Diwali holiday weekend in 2007.

"My Name Is Khan" opened Friday with $444,000, rose 65 percent to $734,000 Saturday, and is estimated to dip 7 percent to $682,000 on Sunday, Valentine`s Day.

Monday`s Presidents` Day holiday in the US will lead to a four-day debut of more than $2 million. MNIK also generated the highest per-theatre average of any film in the Top 20 over the weekend.

Meanwhile "My Name Is Khan" is getting good reviews from US critics with variety.com saying "This riotously overstuffed and enormously enjoyable drama races forward with incredible drive."


Trade publication Hollywood Reporter in a review from Berlin said, "It`s well worth the 162-minute journey" noting "Shah Rukh Khan comes to America (although in a Bollywood film) and shows why he is an Indian mega-star."

"The thing about some Bollywood superstars is that they are actually fine actors as well as charismatic performers. So it`s not surprising in `My Name Is Khan` to see Bollywood mega-star Shah Rukh Khan - he`s light-years beyond a mere superstar in Hindi cinema`s cosmology - challenge himself to expand his acting range and possibly his international fan base."

"This is a movie not built for subtlety, but it does tackle a subject American movies have mostly avoided - that of racial profiling and the plight of Muslim-Americans. It also allows Shah Rukh Khan to display his talent to an even wider audience," it says.

The Los Angeles Times called it "a sweeping epic in the melodramatic Bollywood manner yet emerges as a potent, engaging and timely entertainment." MNIK "is a potent, energetic heart-tugger and Khan and Kajol, major Bollywood stars, are highly appealing and equal to the demand of their emotion-charged roles."

"At its best `My Name Is Khan,` set mainly in America, is an affecting fairy tale about the perils of goodness," said the New York Times.

"`Khan` is one of a handful of Hindi films ("New York," "Kurbaan") about Indians living in a paranoid, post-9/11 America, and there`s something fascinating about looking at this country through a Bollywood lens, even when the story is a kind of fairy tale."

"Skillfully directed by Karan Johar and with an evocative score by Shankar, Ehsaan & Loy, `Khan` jerks tears with ease, while teaching lessons about Islam and tolerance," the Times said.

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